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HUNGRY FOR TORONTO MUSIC! ****************************Toronto Bands | Toronto Venues

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Are There Any Trailblazers in Toronto?

By AARON PETERS

There are no grassroots trailblazers in Toronto when it comes to the music industry.

When I was growing up in Winnipeg, Manitoba, as a young singer songwriter I did the regular same old stuff that every musician does. I tried to start a band, I wrote songs, and I recorded demos. This is all pre-internet, pre-ProTools. I was renting analogue equipment from Long and McQuade to record my demos on cassette tape, because that’s how the technology was back then. But I did it, and I would always think to myself, “If I had a chance to do this, or this, or this, or this…’ I would dream. That’s what musician’s are, they’re dreamers. That’s what creative people are, they are dreamers. So I would dream. I would dream big. I would dream stuff like I wish I could make a music video for every song that I’ve ever written. And I’d dream up story lines to each song; each song’s video. Stuff like that. I’d dream a lot of things; I’d dream up movies about me. Y’know because of course I was gonna be the biggest thing since sliced bread, so they had to make a movie about me. And I dreamed about what that movie would be like. So there was a lot of dreaming going on when I first started writing songs in Winnipeg. And starting bands and getting fired from bands and kicking guys out of my bands, and getting ripped off by various bars and getting backstabbed by supposedly my friends. So a lot of stuff happens when you’re in a band, a lot of things happen in life. But when you’re in a band, it’s more of a drama magnet than anything else. Continue reading

What’s New Today in Toronto Indie Music

Sarah-Cripps-thumbSarah Cripps from little ol’ Brighton, ON, is coming out with a new CD. Actually, she came out with a new CD back in February 2013 called “Change”. I think the CD release party she has planned at the Drake Underground on March 27 is for that same album. I could ask her, but I’m busy. I think it’s easier (and more fun) if we just go and support her on the 27th and find out. Sarah has been described as “gritty country”. I don’t find her very gritty. In fact, she sounds all new and fresh. I hope she gets a bit grittier with age. I think maybe the person who said that was referring to her potential. Does that sound like I’m being nasty? I’m not. I think Sarah is great and I think she’ll grow and get better, that’s all. Have a listen here and tell me what you think: https://itunes.apple.com/ca/album/change/id602912091. Sarah won Best Country Artist at the recent Toronto Independent Music Awards. These local indie musicians make me so proud!

Staceyyx-thumbStacey Y is coming out with a new album ‘Set the Water Straight‘. You may remember (I hope you read it), the article that Aaron wrote on Stacey after we went to see her. Aaron’s pretty fussy and can always find fault with musicians, but he actually found he was quite impressed with Stacey. I’m impressed with her because she works so damn hard. As well as Stacey’s original work with The Stacey Y Band, she also has  other bands she works with – Stereoflavour, DoVira, Kidd Rasta & The Peacemakers, Morta and more. It’s a good thing she’s so busy working because she has fully financed the release of her new album herself. Way to go Indie Girl! Woo Hoo! I love when artists do that – no answering to industry execs who don’t like your Facebook profile picture or tell you who you can or can not play with or hang out with. Stacey is taking pre-orders for the CD, so show your support peeps, buy here, she could use the cash! I’ll let you all know when the release party is as soon as it’s announced.

alter-kakers-thumbThe Alter Kakers (“The AKs” – sounds like a cat choking up a fur ball doesn’t it?) just had a release party March 9th. Their 3rd new album, called…wait for it….”The Alter Kakers”,  is available now for download for only 6 bucks. This band was recently featured in the indie film “The Scene: An Exploration of Music in Toronto”. I won’t see the movie until it’s out on March 23 at the Canadian Film Fest, but my guess is the gist of it all will be that after 3 albums and being featured in a movie, you still don’t know who this band is. This town is tough.

From Toronto’s non-indie set (it’s okay, they might come back to the indie world one day)

As most people know now, Sarah Blackwood is sporting a baby bump. This week she was featured in Sweat Equity Magazine, a little publication coming out of Oakville for the Yoga and fitness enthusiasts. Sarah’s got the little bump unwrapped and front and centre on the cover. I hope they’ll be giving copies of this issue with Sarah on the cover at the upcoming Yoga Conference (March 21-24). I would love for all those peeps trying to extend their spines and balance their chi to check out Sarah’s music. I love this video below of Sarah in Walk Off The Earth (her band with baby-daddy Gianni) doing a cover of their own song Red Hands. Too cute. Walk Off The Earth are releasing their new album, R.E.V.O. (Realize Every Victory Outright) on March 19th .

DRIZZYToronto is so proud of Drake (even if Chris Brown isn’t). He got out into that big bad rap world and made something of himself. Apparently, he’s proud of Toronto too. He just released a single that we can all stream for free called “5am in Toronto”. I was pretty pumped to hear about that, until I listened to it. Now I’m not sure. He sounds like he’s bitching about Toronto. Is he? If not, what’s he bitching about? Maybe that’s just rap. They always sound like they are complaining about something in that music. Oh well, there’s plenty to complain about in this town. Go ahead Drake, bitch away, and while you’re at it, put the City of Toronto on the Rap Map. (hey, yo, I just made a rhyme!)

Check out more as it happens. Follow us on Twitter @ohjusteatit

 

The Scene: An Exploration of Music in Toronto [Guest Blog]

By Josh Jensen and Andrew Smyth

top blurb

~ OhJustEatIt!

Bif Naked Quote

The Scene: An Exploration of Music in Toronto is a documentary film project that chronicles the lives of independent musicians as they build their careers in the Canadian music industry.

We decided to pursue this subject for a number of reasons. We love music, we have friends in bands, and we’re captivated by the plight of artists creating incredible music, but receiving little or no recognition, and even less financial return on their investment.

It’s a struggle we know well.

We self-financed The Scene: An Exploration of Music in Toronto,

used our own equipment if we had it, rented or borrowed if we didn’t, filmed after work and on weekends, and relied very heavily on the sweat equity of some truly wonderful individuals (most notably David Killing, Adam Brandon, and David Koiter – our on-call camera crew) and the generosity of others, such as Sahar Shoja, who rallied support from friends and family to upgrade our camera gear, filmmaker Jay Ferguson, who let us borrow tripods, lights, and microphones, and some talented local musicians who donated their music for the film’s score, including MPSO, Tunturia, Ian Koiter, and Alex Pulec.

Now we’re in the marketing phase, submitting to film festivals, contacting media outlets, and negotiating with local theatre chains, in order to get the film in front of as many people as we can. By the time one factors in submission fees, poster printing, website design, and web hosting, even a no-budget film starts to get expensive.

Over the course of the production, we realized just how closely filmmaking can parallel the pursuit of a musical career. Both require artistic, technical, and financial investment, but offer few outlets for significant exposure, and even fewer opportunities for monetary gain. This made us even more sympathetic to the cause of indie bands in Toronto, and strengthened our resolve to get the film made.

We’re hoping the film will provide some exposure to the three bands we featured – The Ruby Spirit, The Alter Kakers, and Committed to Rhyme – and even more exposure to the issues raised in the film by music legends, chart-toppers, band managers, talent agents, radio personalities, industry experts, and a Toronto city councillor.

There’s no shortage of music venues in Toronto, so please, go see some live music, and toss some change in the pay-what-you-can jar when it comes your way.

An artist will thank you.

Josh Jensen, Producer-Director
Andrew Smyth, Producer-Editor

The Scene: An Exploration of Music in Toronto will be screening on Saturday, March 2nd, at Downtown DocFest in Belleville, and at the Royal Cinema in Toronto on Saturday, March 23rd, during the Canadian Film Fest.

http://www.thescenedoc.com

Junos – Who’s From Ontario?

Of the Juno Awards major categories, 14 of the winners are either residing in Ontario or originally from Ontario. It makes me proud! The ones that make me the proudest are those who are not signed to a label. Special shout out to David Braid, Stretch Orchestra, Charlie Hope and Murray Porter for getting a Juno while staying Indie!

 

GROUP OF THE YEAR: Arkells

Label: Universal
Location: Hamilton, Ontario

CONTEMPORARY JAZZ ALBUM OF THE YEAR: Phil Dwyer Orchestra featuring Mark Fewer, Changing Seasons.

Label: Universal
Location: Originally from Toronto, Ontario, now in BC

TRADITIONAL JAZZ ALBUM OF THE YEAR: David Braid, Verge.

Label: Indie
Location: Toronto

INSTRUMENTAL ALBUM OF THE YEAR: Stretch Orchestra, Stretch Orchestra.

Label: Indie
Location: Somewhere in Ontario

CHILDREN’S ALBUM OF THE YEAR: Charlie Hope, Songs Stories and Friends: Let’s Go Play!

Label: Indie
Location: originally from Toronto, Ontario, now in Seattle Washington

RAP RECORDING OF THE YEAR: Drake, Take Care.

Label: Universal
Location: Toronto, Ontario

R&B/SOUL RECORDING OF THE YEAR: Melanie Fiona, Gone and Never Coming Back.

Label: Universal
Location: Toronto, Ontario

ABORIGINAL ALBUM OF THE YEAR: Murray Porter, Songs Lived & Life Played.

Label: Indie
Location: Originally from Six Nations, Ontario, now living in BC

ROOTS AND TRADITIONAL ALBUM OF THE YEAR, SOLO: Bruce Cockburn, Small Source of Comfort.

Label: eOne
Location: Ottawa, Ontario

note: order of canada

BLUES ALBUM OF THE YEAR: MonkeyJunk, To Behold.

Label: Warner
Location: Ottawa, Ontario

WORLD MUSIC ALBUM OF THE YEAR: Kiran Ahluwalia, Aam Zameen: common ground.

Label: Outside
Location: Toronto, Ontario

RECORDING ENGINEER OF THE YEAR: George Seara for Michael Kaeshammer, “A Little Bit of Love” (from Kaeshammer) and Laila Biali, “Let Go” (from Tracing Light).

Location: Toronto, Ontario

VIDEO OF THE YEAR: The Sadies, “Rumbleseat,” directed by Mike Roberts.

Label: Outside 
Location: Toronto, Ontario

WALT GREALIS LIFETIME ACHIEVEMENT AWARD: Gary Slaight

Location: Of Slaight Communications – Toronto, Ontario

 

And finally, the newest members of the CANADIAN MUSIC HALL OF FAME: Blue Rodeo

Labels: WEAWarner Music Group,Rounder
Origin: Toronto, Ontario

Showmanship

Wednesday night I headed out to The Ballroom for Indie Night In Canada to see the band MIC LORDZ & SAUCE FUNKY (MLSF). I was excited about seeing this band, i’ve wanted to for a while. I didn’t bother to find out what time they’d perform, so i got there pretty early.

Paul Husband and his partner Kristen Cholak have been organizing Indie Night In Canada since 2007. This is the first year they’ve had sponsors. Paul was also celebrating his 50th birthday that night. Upstairs at The Ballroom, 16 bands performed on 2 stages. There were some pretty good acts. In fact, i found myself at times having trouble deciding which of the two stages to watch.

Since i was early i decided to look around the venue for a good spot to photograph MLSF. I started taking pictures of a wall outside on Queen Street under an overhead light. A guy in an “I heart NY” t-shirt was walking by and i asked him if he would mind standing still for a minute so i could see the shadows. He said i should come upstairs and see the bands. I introduced myself and he said his name was Matt. He said he was with the band ONE DIVIDED. He said ONE DIVIDED had nothing to do with math. He asked if I could be sure to check out his band and I agreed.

MLSF finally arrived and I asked the guys to pose for some photos with me. MLSF are Dayun “Boots” Marjanovic (vocals), Mike “AlerG” O’Phee (vocals), Liam MacNaughton (drums), John “Rogé” Rogers (bass), Matt Lalonde (guitar). Paul Husband said there would be a media room available for us, but we weren’t able to access it and instead, the only well lit spot was a cold cellar downstairs where they store wine. A closet basically. I had to try to get a good shot of 5 guys in a closet. The first pose I wanted was reminiscent of a picture RHCP took for a Rolling Stone Magazine cover. They stood in a row looking modest. The next shot I asked for required each man in the band to pinch the nipple of the man beside him. I was surprised at their reactions – they feigned shock at my request. I believed them for a minute until they started exclaiming “she wants nipples, lets give her nipples” and started tearing off their shirts. They had a lot of fun with the posing and I was really happy with the shot I got in the end.

Back upstairs, I saw ONE DIVIDED come on stage. They’re a 3 piece band consisting of  Matt Silver (vocals/guitar), Tyler McIlveen (vocals/bass) and Matt Godin (drums). I was only mildly interested until I noticed the bass player, McIlveen. He started singing backup and he was good. A really nice voice. He also became very animated on stage. Flicking his hair, running across stage, bouncing around and playing like his life depended on it. As they moved through the songs in their set, McIlveen actually looked like he was loving it. He was having a great time. Silver stands at his mic and sings and Godin is at the drums doing his thing. McIlveen is the show. Totally entertaining. I would go out to see them again just to watch McIlveen . When I mentioned it later to their Manager, he told me a record exec told him McIlveen should calm down. What? Calm down? McIlveen’s amazing. Never listen to a record exec. Corporate Rock sucks. If anything, the rest of the band should learn to play along with McIlveen’s antics. When you’re only a 3 piece band, you’ve got to “bring it” to the stage. McIlveen is entertaining.

Corporate Rock sucks. ~ OhJustEatIt.ca

I watched a few other bands and I noticed it everywhere. There were some really good acts, nice music, professional playing, but very few entertainers. Very few stars. I’m sorry to tell you musicians, you can be a great musician, but if you’re boring to look at, no one will want to watch you perform live. Today live gigs are one of the only places left to sell CDs and merch. I suggest some of you need to polish up your act.

I can’t find the quote on the net, but I believe it was Sharon Osbourne who said “there are no more superstars”. She should know a thing or two about superstars, especially being the wife of the prince of darkness. At the “Retirement Sucks Tour”, Ozzy Osborne received a standing ovation when he came out on the stage. The entire crowd. Not just the floor. How many musicians can do that to a crowd? Not many.

MLSF finally came on stage. Now these guys are entertaining. Apparently, two members started out with a Hip Hop group. When they joined with three others they became a very funk/hip hop/rock band. Their songs are fun and full of energy and they’re a riot to watch on stage. They play with the crowd, jump around on stage, jump on the bar, make animated faces and gestures. They even ask the crowd to pose while their drummer takes a picture from the stage – now that’s interactive. They’re very fun to photograph (although difficult to capture because they don’t stand still!). This is a band I could watch over and over and never tire of. I’ll have fun following where they go from here.

I left The Ballroom and walked down Queen West to the Velvet Underground to see DREAMERS at their CMW gig. Now here’s another band who knows how to perform. DREAMERS, Paul Maconko (vocals), John Bernardo (guitar/backup vox), Steven “Suggy” Sugrim (bass/backup vox), Matthew Coelho (guitar/backup vox), and Jeffrey Moretta (drums), are my favourite Toronto growlers. I haven’t seen them perform live for a while and I was very impressed Wednesday night. They were working very well together, their music was tight and, most of all, they looked like they were having fun. They looked like they were having the time of their life! They play off each other, bounce around with their guitars, make faces at the crowd, and do the Captain Morgan pose on their amps. I found myself smiling as well as banging my head while I watched them. I wonder if recording their EP “Shenanigans” has helped with developing their music. They sounded great. I’ll have to ask them about that.

Now, let’s talk about showmanship. I see bands all the time. Most of them bore me. A lot of them perform to empty rooms. DREAMERS was performing at 1AM to a practically empty room. They didn’t hold back. They didn’t play with sour faces and wish they were somewhere else. They love their own music. They love their band. It shows when they perform.

Legend has it, Jon Bon Jovi gave CINDERELLA their big break after watching them perform to an almost empty room in Philadelphia. Do you think they would have impressed him if they stood still with their guitars and sang with a poker face?

A good performer draws the audience in and gives them an experience. People can stay home to listen to music. They go out to see bands for the experience. So, give them an experience. That’s why they call it a “show”.

 

Music This Week In Toronto – CMW

This morning, the band DREAMERS posted on my Facebook asking if i’m going to their CMW show at the Velvet Underground tomorrow. After Steve Sugrim made the post, the rest of the band “liked” it. I guess they want to make sure i go! Haha…those guys are fun. Hells yeah, of course i’m going to see those guys! I have a list of other suggestions too. I’m REALLY interested in checking out MIC LORDZ & SAUCE FUNKY at the Ballroom tomorrow night too. MONSTER TRUCK is the attraction for me Thursday, but i’ve listed a few other favs. STEP ECHO Friday for sure, but BIBLICAL is also a great band and there’s enough time to get from The Bovine to The Hard Rock. Finally, MATT GROOPIE is a hard working dude i’ve recently learned about. I wouldn’t mind checking him out on Saturday. Finally on Sunday, our boys THE BLOODY FIVE are at the Hideout. I’ll finally get some pictures of them performing for my collection.

All the bands listed here are worth checking out. Enjoy Canadian Music Week! I love Toronto!

Wednesday 3/21
7PM MIC LORDZ & SAUCE FUNKY @ The Ballroom (rock/hip hop)
9PM CAREERS IN SCIENCE @ the Bovine Sex Club (punk/hardcore)
10PM MARY ROSE OBSESSION @ The Hideout (rock)
11PM LYNZIE KENT @ C’est What (folk/pop/rock)
12AM DREAMERS @ Velvet Underground (hardcore/metal/punk)

Thursday 3/22
10PM PARTYCAT @ The Bovine Sex Club (hardcore/rock)
10PM BROKEN BRICKS @ Hard Luck Bar (americana/pop/rock)
10:30PM ARMY GIRLS @ Parts and Labour (grunge/indie/pop)
12:50AM MONSTER TRUCK @ The Horseshoe (rock)
1AM FINAL THOUGHT @ The Painted Lady (pop/punk/rock)
1AM LACERDA @ The Bovine Sex Club (alt/indie/rock)

Friday 3/23
11AM BIBLICAL @ The Bovine Sex Club (metal/psychedelic/rock)
12:20AM STEP ECHO @Hard Rock Cafe (rock)

Saturday 3/24
9PM MATT GROOPIE @ The Underground Garage (blues/classic rock/psychedelic)

Sunday 3/25
9PM THE BLOODY FIVE @ The Hideout (alt/grunge/progressive/rock)
7:30PM ECHOWIDE @ Hard Rock Cafe (alt/rock)

 

LYRIC DUBEE Amazes Room Full of Legendary R&B Musicians


I was scrolling through Facebook doing my research on bands gigging in Toronto. Somehow I came across a Youtube video of 13 year old Lyric Dubee playing guitar and singing. It was a poor quality video taken at an outdoor event. It was obvious the kid could play guitar, but I wasn’t too impressed. I was sipping my morning coffee, however, and relaxing, so I decided to check out two more of his videos. The final video was Lyric being interviewed by Glenn Coulson on Rogers Barrie (cable channel) and performing some of his original music. Lyric played and sang beautifully, but that wasn’t the impressive part. Lyric is still a boy and his voice has not matured. What impressed me was his personality. He was not intimidated at all. He had amazing stage presence. When he sang, he had range and feeling. When he played guitar it was with ease and soul.

I posted the Rogers video on Facebook with a little paragraph about my impression of Lyric. I received a comment back from veteran Toronto musician/producer Virgil Scott who said he was going to contact Lyric’s parents and request that the boy perform at his upcoming annual “Happy New Year to Musicians Party”. I was thrilled to have brought the two together!

The video here was taken the night of the annual private event hosted by Virgil at Hollywood on the Queensway. The room was full of elite R&B musicians. When Lyric finished performing his two songs the room exploded with applause. People were excited by him. I was so happy that he had this exposure. People will be talking about Lyric Dubee, not because he’s a kid who can sing and play guitar, but because he’s a musician.

Lyric released his first CD last April. You can get a copy at his website http://www.lyricsmuzic.com/. Lyric will perform at the Wiarton Willie Festival Saturday (Feb 4). He’s performing on the main stage at 2pm. He will be performing songs from his blues album and some unreleased material. If you’re lucky enough to be there, you can also catch Walk Off The Earth and David Usher in the evening. If Lyric performs again in Toronto, I’ll be sure to let you know!

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